Avente Garde Essay Example | Topics and Well Written Essays - 1750 words

Avente Garde - Essay ExampleIt is as well as art or theatre at its most bag form, hostile to other artistic or conventional forms. It rejects the accepted fond values and beliefs and condemn traditionally accepted artistic forms, ridicule the social order for which the society is used to and to put it succinctly, it believes in shocking its viewers. It is always searching for new arenas, and never satisfied with what is already accepted.However, beneath this diversity there is a clearly identifiable unity of pattern and interest (at least in the theatre) which has all the characteristics of a coherent trend, since its principles can be shown to be shared out quite independent of direct influence, Innes (1993, pp2-3).Avant garde is recognized with the postmodern theatre. Postmodern theatre is considered to be the recent phenomenon in the theatre world, connected with the European post-modern philosophy of the 1960s, naturally, which created many another(prenominal) radical movem ents almost in every field. The radical movement of the sixties constitute one of the most interesting social phenomena of this century by insiders and outsiders, and what emerges is a confused picture in which elements of pacifism, civil rights agitation, anti-Vietnam sentiments, sexual liberation, feminism, and other forms of antiauthoritarianism are chaotically thrown together, Erwin (1988, p.15).It is different, revolutionary, unprecedented, a movement away from everything that is already established in the theatre. It has completely unconventional and subverted ways of seeing and portraiture the world, and each performance becomes a dramatic spectacle of the so called Chaos Theory, and audience invariably find themselves dynamic in it, improvising it and bettering the dialogues. This can be called the avant-garde theatre movement of our times, far removed from the usual mainstream theatre. Postmodernists would be horrified at any such suggestions that they are even remotely co nnected with itThe aesthetic screw of the theatre, even though it is avant garde, does not diminish, only for the simple reason that it is unconventional. It has the power of holding the attention of its audience, and many times, the audience directly calveicipate in it, creating an unreal situation, where they are transported into another era and back to the make era with a rude jerk and this way their experience is more authentic, compared to the one they would have had as mere spectators. It is impossible to believe that as ordinary spectators, they could have experienced the total identity with the match any better. Theatre, under postmodernism, is neither objective nor passive. It is crying for the audience participation and new experiences as part of the play. One such ensemble, the Wooster Group, consisting of modern artists working with Elizabeth LeCompte as their director, have cultivated new forms of production, presentation, and theatrical expression, dancing and mov ement, and has created many pieces of production, which have earned appreciation, though not initially. It has also shown that however outrageous the new forms disembodied spirit in the beginning, slowly, it would create an audience of its own, and the new generation, whether they have logical reasons for appreciating it or not,